Archive for November, 2014

The Mysterious Okapi

Hi everyone, miss me?  Sorry to have been gone so long, but I’m back, and I finally managed to drag Tabula Rasa to the zoo for a day of animal photography!  I know it isn’t the dust, mold and decay you all usually come here for but I needed something to lift my spirits, and a visit to a well kept zoo fit the bill perfectly. Normally I go to our local free zoo, but this time I decided that we should check out the pay zoo and see what different animals we might find there, and today I saw my first okapi.

Okapi are weird animals, they are known as the “forest giraffe”, and are the only other member of the giraffe family.  No where near as tall and goofy looking as your typical reticulated giraffe, they are built more horse-like and have striped legs.  They are dedicated browsers (meaning they eat leaves and bark) and are on the endangered species list, which squashes my dreams of having one as a pet.  Well, that and the fact that I live in a studio apartment.

Either way, meet the mysterious okapi.

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Cars In A Slough

SASKATCHEWAN-123 There is an abandoned farm down the road from my cousin’s farm.  From the road, in a regular car, you can’t see these in the slough, but one day I was in my cousin’s grain truck…and there they were!  I trekked out, and here they were, better than expected.

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French Doors

From a little school in Gary, Indiana.

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A Theater in Wisconsin

Three B&W shots from an abandoned theater in southern Wisconsin, including a monochrome take on a shaft of light previously photographed from a different angle in color.

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Sunshaft

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Balcony and fire exit.

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Footlights

 

 


First, Do No Harm

A shady physician awaits his next patient.

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Higgledy-Piggledy

When I was asked to join this blog almost two years ago by my friend the Idiot Photographer, I had grand ideas about presenting my pictures as a curator might thoughtfully arrange pieces in a museum.
“Here,” I could say, “is the Gary collection of the mid-2000’s. Note the artist’s increasing usage of ‘drowned light’ as an aesthetic choice.”
“In this piece, the artist coyly asks us whether the concept of keeping photographs in focus is a valid idea, or whether our concepts of sharpness are really just social constructs.”
“The choice of a monochrome color palette alerts us that this must be an august work of art.”
It would all sound very learned and fancy, and, at the very least, give the impression that I knew a damn thing about what I was doing.
As it is, I’m getting more comfortable (lazy?) about just putting a photograph up with little fanfare. Hopefully, it speaks for itself. So, here’s a couple shots from various locations which I happened to be working on tonight.

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Surprise!

Oooh…what’s inside? What is it? Is it urban decay? Aw, man… it’s always urban decay. I was hoping for kittens. This is nice too, though.

I guess.

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Pendants

Playground and schools, Gary.

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swing.


70s-tastic

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Is this place creepy because it’s abandoned…or because of the decor?


Nightmare Delivery Redux

I spent a long time circling this car, trying to find the right balance of exposure time, ISO, and flashlight angle. Thus, I have a lot of similar shots, and it gets hard to choose the definitive one. The original shot of this car (to be found on this recent post) I’m no longer quite happy with. So, here’s a couple variations.

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