When I was asked to join this blog almost two years ago by my friend the Idiot Photographer, I had grand ideas about presenting my pictures as a curator might thoughtfully arrange pieces in a museum.
“Here,” I could say, “is the Gary collection of the mid-2000’s. Note the artist’s increasing usage of ‘drowned light’ as an aesthetic choice.”
“In this piece, the artist coyly asks us whether the concept of keeping photographs in focus is a valid idea, or whether our concepts of sharpness are really just social constructs.”
“The choice of a monochrome color palette alerts us that this must be an august work of art.”
It would all sound very learned and fancy, and, at the very least, give the impression that I knew a damn thing about what I was doing.
As it is, I’m getting more comfortable (lazy?) about just putting a photograph up with little fanfare. Hopefully, it speaks for itself. So, here’s a couple shots from various locations which I happened to be working on tonight.