Sometimes we come across scenes which appear to be a clamorous fall taking place before our eyes, and yet are mute and still. The ice here only serves to heighten the sense that the entirety is merely frozen, and will crash when we leave the room.
From a former elementary school, Gary, Indiana.
Snowflakes descend like a pall upon casketed remains
The wind whispers secrets amidst the years of decay
Together, hand in hand, we share this moment so serene
Totally enamoured by the words she said to me
This little (not really LITTLE) house intrigues me. There’s not a single tree surrounding it, which is rare on the Saskatchewan prairie (wind breaks…don’t want to lose that precious topsoil)…and the first time I visited it the front door (devoid of glass) was locked.
I recall it was enough, in high school, to mention you were going to the “Southside” to cement your badass cred. It would suffice to say you had driven past a numbered street (most east-west streets south of Madison are numbered in Chicago, as opposed to their conventionally named counterparts on the north side) to get a wide-eyed stare of fear and respect. When I had gotten lost as a freshly-licensed sixteen year old and wound up in a fender bender on 111th street, my friends acted as if I had walked into Mordor and back out again.
When I began work at the company I’m still with, I wound up having to drive around the Southside as part of my job. As I got to see the vast swaths of industry, housing projects and rusting infrastructure, my interest in urban exploration was born. Not yet urbex, in the sense of exploring the abandoned, but just visiting the less traveled corners of the city. There was a fascination in coming across the loneliest intersection in Chicago, or a former Nike missile launch site. Early on, this particular vista made a big impression on me: the bend in the Calumet River around 130th and Cottage Grove, looping around a massive factory. I’ve never been able to get a shot which captures the impression this peninsula makes on a passing motorist. I think one would have to get closer, maybe shooting from a boat on the river. But here’s my last attempt from a recent visit, all gussied up in High Dynamic Range and melancholy colors. Perhaps you’ll give me points for style.
The vast Canadian prairies are vast.
Take Photos, Make Trax, Whatever…
There are many fine urbexers out there who take an active interest in documenting the places they visit, either to highlight an aspect of local history or to help preserve them. While I may be sometimes intrigued by that aspect of urbex, I make no bones that my primary interest in this genre of photography is primarily aesthetic. Sometimes only knowing little about the place you’re seeing heightens the mystery, perhaps makes the story a photo tells a bit more universal. I tend to take a “non-attachment” to the sites we shoot; I find it’s a bit dishonest to bemoan their further decay when that is the very process that allowed us to shoot the pictures we did.
That said, I can’t help be a bit saddened when a site I cut my teeth on gets very rapidly demolished. The Riverdale granary was a massive edifice of metal, rust, concrete and ivy. As of our last visit, only the slim north building still stands. Soon, it too will be gone. It should be remembered that impermanence makes all things possible.
Waiting for a long exposure I found myself engulfed in a silence so complete that it felt almost loud to my ears.
A metronomic ticking disrupted the quiet, which I then realized was the audible beating of my own heart.
On Pullman’s quad, across from the Florence Hotel, is this striking romanesque church, fittingly named for the color of its walls.